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Image 1 of 1
Image 1 of 1
Image 1 of 1
Hand embossing and debossing are processes used to create raised (embossed) or recessed (debossed) designs on sheet metals - Copper, Bronze or Steel, adding texture, depth, and visual appeal. These artistic techniques are commonly employed in decorative applications to create both beautiful and interesting framed sculptures.
Description:
This piece feels like a whispered current—three fish suspended in a quiet, circular dance, neither rising nor sinking, simply being. Their copper bodies glow with warmth and texture, etched with care, while cool patinas pool around them like remembered water. Bubbles drift upward, not in haste, but in contemplation, as if time itself has slowed to watch.
There’s a gentle rhythm here—movement without urgency, harmony without rules. Each fish turns toward the others, suggesting conversation, companionship, or perhaps shared instinct. The surrounding forms echo reeds and ripples, blurring the boundary between figure and environment, reminding us that nothing here exists alone.
This work speaks to balance and interdependence, to the poetry of motion beneath the surface. It’s a meditation on flow—on how life often moves not in straight lines, but in cycles, currents, and quiet agreements made beneath the light.
16×20 Matted & Framed
Hand embossing and debossing are processes used to create raised (embossed) or recessed (debossed) designs on sheet metals - Copper, Bronze or Steel, adding texture, depth, and visual appeal. These artistic techniques are commonly employed in decorative applications to create both beautiful and interesting framed sculptures.
Description:
This piece feels like a whispered current—three fish suspended in a quiet, circular dance, neither rising nor sinking, simply being. Their copper bodies glow with warmth and texture, etched with care, while cool patinas pool around them like remembered water. Bubbles drift upward, not in haste, but in contemplation, as if time itself has slowed to watch.
There’s a gentle rhythm here—movement without urgency, harmony without rules. Each fish turns toward the others, suggesting conversation, companionship, or perhaps shared instinct. The surrounding forms echo reeds and ripples, blurring the boundary between figure and environment, reminding us that nothing here exists alone.
This work speaks to balance and interdependence, to the poetry of motion beneath the surface. It’s a meditation on flow—on how life often moves not in straight lines, but in cycles, currents, and quiet agreements made beneath the light.
16×20 Matted & Framed
