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Copper Chorus - Framed and Matted Copper Works
Hand embossing and debossing are processes used to create raised (embossed) or recessed (debossed) designs on sheet metals - Copper, Bronze or Steel, adding texture, depth, and visual appeal. These artistic techniques are commonly employed in decorative applications to create both beautiful and interesting framed sculptures.
Description:
Description
A gathering, not of noise—but of presence.
Perched along winding branches, these small birds form a quiet symphony, each one a note suspended in time. Their bodies, delicately shaped and layered in copper, catch the light with warmth, while the verdigris background breathes with the passage of time—weathered, organic, alive. There’s movement here, but it’s subtle… a tilt of the head, a pause between flights, the kind of stillness that hums rather than rests.
“Copper Chorus” speaks to connection—the unspoken dialogue between neighbors, the rhythm of community, the beauty of many voices coexisting without competing. It’s a reminder that not all songs are loud; some are felt in the spaces between.
Handcrafted through repoussé and chasing techniques, this piece invites the viewer to slow down, lean in, and listen—not just to the birds, but to the quiet music of the moment itself.
Large: 3’ x 2.5’ Framed and Matted
Hand embossing and debossing are processes used to create raised (embossed) or recessed (debossed) designs on sheet metals - Copper, Bronze or Steel, adding texture, depth, and visual appeal. These artistic techniques are commonly employed in decorative applications to create both beautiful and interesting framed sculptures.
Description:
Description
A gathering, not of noise—but of presence.
Perched along winding branches, these small birds form a quiet symphony, each one a note suspended in time. Their bodies, delicately shaped and layered in copper, catch the light with warmth, while the verdigris background breathes with the passage of time—weathered, organic, alive. There’s movement here, but it’s subtle… a tilt of the head, a pause between flights, the kind of stillness that hums rather than rests.
“Copper Chorus” speaks to connection—the unspoken dialogue between neighbors, the rhythm of community, the beauty of many voices coexisting without competing. It’s a reminder that not all songs are loud; some are felt in the spaces between.
Handcrafted through repoussé and chasing techniques, this piece invites the viewer to slow down, lean in, and listen—not just to the birds, but to the quiet music of the moment itself.
Large: 3’ x 2.5’ Framed and Matted